DROP IN PROMPTS, PICTURES, OLD THREADS, A POST OR EVEN TFLN BRING IT. ( cw: body horror, gore, violence & etc. in some threads + please label threads for such. )
[ it takes Caleb three tries to unlock the door. In the week or so he's been staying at this motel, he's contended every day with the bloody keycard reader and its refusal to accept anything except slow-but-not-too-slow swipes—but it's particularly finicky tonight for some reason. And that does nothing for the unease that's clung to him all day.
Everything's been strange ever since he found her.
It doesn't lessen when the door finally opens with a quiet beep and a louder rattle. He steps into the darkened room. At first, nothing seems out of place; the only difference is the musty odor of the rain falling outside joining that of old cigarette smoke and industrial-strength cleaner inside. Then he flips the light switch. Both drawers of the cheap desk tucked away in a corner hang open. Opposite him, in the small bathroom ( through the door he absolutely remembers shutting ) the tiled floor shines wetly. From there, a large splotch darkens the dust-colored carpet covering the rest of the room, then comes together in a wavering trail of fading footprints.
It ends at the closet.
Caleb narrows his eyes. Awake—but what the hell is she up to?
He moves to set his motorcycle helmet and the half-full plastic bag he's carrying down on the TV dresser. Then he approaches the closet and raps twice on the door. ]
Hey. Come on out of there. [ he pauses, and tries for ( but doesn't completely succeed at ) a gentler tone. ] Not goin' to hurt you, if that's what you're afraid of.
[ by the time a regular person would respond and open the doors, all zarina gives is silence as she peeks through what the closet can give.
the man in front of her — a living human being — says he won't hurt her. the way he speaks, the tone of his voice... they speak true despite the roughness; already she recognizes the same strange scent in the air when she wakes up and connects it to him. so, he's the one who brings her here? he's the one who leaves her in a small pool of water?
it's a total of eleven seconds before the closet doors creaks open. a single step forward, the tip of her fingers pushing it open until it reveals a naked woman with long, wavy hair that's still wet from the tub. no words leave her lips, only a look of caution combined with curiosity as she looks towards caleb with her own eyes.
tall. a strange scent. human. zarina has no memory of the man who patches up the wound on her head that no longer exists. ]
[ when the closet door starts inching open, Caleb pulls his hand back from the knob—and what he sees is enough to make him regret his impatience. For a long, shocked second, he can't do anything but stare at her, warmth flushing up his face. Then he looks away—down—with a sharp exhale and a muttered: ]
Christ— [ still averting his eyes, he shucks off his jacket—well-worn black leather, rain-splattered and smelling faintly of exhaust—and all but thrusts it at her. Even though it might just barely reach the middle of her thighs, it's better than nothing. ] Put this on.
[ he doesn't wait to see if she does. The moment she takes it, he'll turn and go into the bathroom. Did the noise he made coming in scare her that much she ran into the closet to hide? No, she couldn't have; there wouldn't be water all over the place if she did. And there's the desk she obviously rummaged through. What kind of person, waking up in a strange room, just starts poking around it buck naked?
Well—she's not exactly a person, is she.
In the bathroom, Caleb yanks the lone towel off its rack and walks back out to hand it to the woman, resolutely keeping his gaze on her face. It's then that he notices the gauze and bandages on her forehead are gone. There's no trace of the bleeding gash he stitched closed only an hour ago. No sign she was even hurt at all.
What's he gotten himself into. ]
You should've stayed put. [ he finally says after a moment of silence. A gesture towards the chair by the desk: ] Sit. Ain't a good idea for you to be up and about.
[ "Put this on" — the language most humans speak, one she understands along with others yet refuses to release her own voice. not until she knows more about the man in front of her — why bring her to land in the first place? why is she here? questions that have zarina look over towards caleb as she grabs hold of his jacket — what strange texture, almost like a dolphins skin above water — and looks at it first.
she understands how to wear it from the way caleb does, but instead of putting it on just yet she brings it closer to her face and sniffs it. eyes close and nose crinkles in a near instant at how different it is compared to the sea. what is that?
clothing isn't a concept for mermaids; eventually, after another few seconds of checking pockets, the metal pieces attached to it, an pulling on the zipper up and down to hear the noise it makes, zarina slips on the leather jacket with her hair pinned between her back and the newly acquired clothing. there's no zipping herself up because she remembers how caleb doesn't zip his up upon seeing him for the first time.
holding onto the towel as her eyes shift between the chair and the man telling her to sit, brows furrow as she stands in her place for a moment. once again, another few seconds before zarina takes her seat. a pause, another look while the towel rests in her hands which reside on her lap, and then another look towards caleb.
"You should've stayed put." and "Ain't a good idea for you to be up and about." — why not? she wonders, but doesn't say. ]
[ with a faint frown, Caleb watches the woman fidget. Without wrapping the towel around herself, or using it to dry her hair, or—anything else, she takes the chair, staring at him like he's some strange thing she's never seen before. It only makes him feel more uncomfortable. He has her full attention—but not a single word so far.
He sighs. Sits down on the bed facing her, leaning forward with his elbows on his knees. The towel spilling from her lap briefly draws his glance to her legs. Bare, the scrapes and small cuts he cleaned gone without so much as a mark. Just like her head.
Where should he even start? The silence between them drags on for several more moments before he settles for: ]
Can you talk?
[ she seems to understand him just fine. But there's no point in asking more involved questions if she can't answer. Or if she doesn't want to.
Above the hum of the dull florescent light overhead comes the continued tapping of rain against the room's only window. It reminds him of the storm that swept through the town earlier in the evening. Compared to the ones back home that sometimes dragged in tornadoes behind them, it hadn't felt that fierce to Caleb, however hard the wind shrieked and howled at times. What exactly was she doing in the middle of all that to end up knocked out on the beach? And so far from the water? ]
[ rain and storms occur in the various bodies of water she swims in, but the smell differs — there's no salt, no seaweed, nothing that reminds her of home beyond the sound of raindrops hitting the surface of land. zarina's far too occupied to focus on it however. not when there's a human being in front of her trying to speak to her.
at his question, zarina gives no response as she tilts her head to the side. of course she can talk and yet her voice refuses to rise from her throat ever since she wakes up — and her own caution silences her at the same time even should she had her voice.
the way the man sits... already zarina moves to hunch her upper body forward enough to rest her elbows on her knees, legs splitting apart enough until she's in the same position as caleb. towel still rests above her thighs as she looks towards his face once again with the same curious look on her own.
[ Caleb raises his eyebrows as the woman shifts in her seat. Copies the way he's sitting for some reason, and—
Closing his eyes, he pinches the bridge of his nose and grumbles something under his breath. It's as much to allow him to take a second and gather his thoughts as it is to avoid staring at the curves of her cleavage—framed by his unzipped jacket—now made all the more noticeable by how she's leaning forward. Then he looks back up, meeting her curious gaze with his own sharp scrutiny. ]
Look, I know that you know what I'm sayin'. We're gettin' nowhere fast so long as you keep actin' like this.
[ even as he says that, he gets the sense he isn't going about this the right way. But coaxing answers out of people isn't one of Caleb's strong suits—or at least, doing it softly. And even then, it's never involved mysterious women spat up by the ocean. ]
[ the combination of his words ( he curses like the sailors who get shocked or injured ) and the tone of his voice makes zarina believe he's upset. not yet angry, but he could be. in return, she looks towards the man as though she were given a sort of puzzle that only confuses her more.
lips part, but not with the intention of speaking; a wordless "ooh" leaves past them as she raises one of her own hands and hovers over her own lips, s finger tracing across it as she notices: a scar across his lips.
injury and wounds occur with mermaids, but they never stay like they do with the other animals of the sea. are humans permanently damaged after a battle? she wonders briefly.
which means she gives him no answer to his question, instead asking him without words about the story of the scar. ]
[ nothing again. Caleb grits his teeth. She really doesn't want to talk then. Not that he's much of a chatterbox himself, but it makes things more complicated than he'd like. Especially when considering what he should do with her—if anything, other than taking her back to the beach now that she's all recovered. But the thought of leaving her there, alone in the dead of night, and driving off doesn't sit right with him. Not with her sitting here looking at him so... expectantly. What does she want?
He straightens up a little when she opens her mouth. But instead of speaking, she skims her fingertips over her lips, her gaze not wavering in the slightest. Puzzled, he brings his own hand up—does he have something on his face?—before realizing what she's wondering about. His scar, a pale line arcing up through the left side of his mouth and ending just shy of his eye.
Despite himself, he has to suppress a smile. A scar would seem odd to someone who apparently never has to worry about getting any of her own, wouldn't it. ]
This? Got it in a fight a while back. Man pulled a knife on me without considerin' I might've had one too.
[ "last mistake of his life," he almost finishes, but he doesn't. Nor does he take out the switchblade from his pocket. Frightening her definitely won't get him anywhere.
But he needs to try something else. Caleb thinks for a second, then taps his chest once, trying to soften his tone again. ]
Name's Caleb, by the way. And what can I call you?
[ a long shot, but who knows—maybe she'll actually answer that. ]
[ a brow raises at his short story; had zarina her voice, maybe she would have asked what a knife was. she's witnessed sailors cut nets and fish with a sleek and sharp object similar to how she uses corals and rocks to break open shellfish, but the way she cracks the shells were never as precise. or deadly, she imagines. she doesn't even know what the word "weapon" means when no merperson in the any ocean uses such an item.
lips purse together tightly for a brief moment as caleb gives his name. finally, a name — no longer does zarina label him as this human who brings her onto land for whatever reason he gives. truthfully, she should thank him for doing so when she had trouble during the last storm. the human — he calls himself caleb — brings her somewhere in the world that should be populated by a school of humans as well.
it's her first few steps in the upper world and already there are a few things they have in common at least. like names — mermaids have names too, but only a single one that they live with for the rest of their life. a name wouldn't be terrible to give to him at least, right? from the tone of his voice, he's being relatively friendly.
c - a - l - e - b, she silently words out with her lips while tapping once against her own chest like he does. it's his name. is the hand gesture a greeting and not simply pointing at himself? it's the reason she does it again, this time with a look of delight while, soundlessly, saying her own name as though she were having a casual conversation with the man.
a twist of her head with her brows raising. does she greet him correctly? ]
[ Caleb watches intently as the woman silently repeats his name. Then her expression brightens with a joy so sudden it surprises a flicker of a smile from him, and she mouths something else while tapping herself again. Her name? Has to be.
Finally, progress. His own lips move soundlessly, trying to figure out what it is by copying her. He's about to venture his first guess—Serena?—when he pauses instead, wondering. What will she do if he gets her name not just wrong, but obviously so? Will it annoy or disappoint her enough to correct him out loud? ]
So... [ he trails off deliberately, brows knit together in a show of confusion. ] Sarah? Do I have that right?
[ the idea that maybe she really isn't able to talk nudges at him again, along with a faint memory of a... story about a mermaid becoming human at the cost of her voice. Something he heard or read when he was a kid. But he immediately dismisses it. She's clearly not human, legs or no legs. And she's real. Flesh and blood just like him.
For the most part, anyway. It's still too ridiculous to start using a fairy tale as some sort of guide—however much she seems to have stepped ( swam? ) straight out of one. ]
[ sarah? did it seem like she was wording out sarah?
the look on her face immediately changes from pleasantly happy to shaking her head with an offended look. no, no! her name is not sarah! now that she's voluntarily giving caleb answers therefore he should be getting her name correct, right? though she lacks the sound of her voice, she words his name right.
immediately raising her hands with both index fingers pointing to her own lips — she still holds onto the towel with her other four fingers in one hand because caleb says to use it, and so she is — and begins to elaborate her own name in a slower pace.
"Zah" she words out, "Ree" and "Naa" she says. a pause to give caleb time to understand, and then she repeats. ]
[ well, that didn't work—apart from offending her. Caleb nods, lifting his hands in apology. ]
All right. My mistake. [ and it's not Serena either, but— ] Zarina?
[ it isn't a name he's heard before. He doesn't spend long wondering about that though, because there's still the larger question of how well he can communicate with her if it all has to be done through gestures and lip movements. Or—does it? He tilts his head, another idea coming to him. If talking isn't an option, then...
Caleb gets up from the bed and goes to the desk. After shutting the drawers, he returns and sits back down. In his hands are an unlined notepad with the motel's name stamped on top and a pen, both a little worn like everything else in the room. The notepad's front page is filled with random scrawling and doodles, probably in an attempt by whoever stayed here before him to try and stay entertained. Turning to a new one, he writes Caleb.
Or tries to. The ink's not flowing. With an annoyed sigh, he presses down harder. The pale blue impressions deepen into legible letters in a quick, slightly untidy print. Then he holds the notepad and pen out to Zarina. ]
There's my name. [ he points at it with the top of the pen. ] Can you write yours?
[ at zarina, her smile immediately returns as she nods her head before. despite lacking her voice, he gets it on his second try — that's certainly something, and an improvement from being called "sarah" or anything else he may have had in mind. or at least that's what she believes even without searching his memories.
speaking of — she wonders about doing so for a moment. how did she get here? how did caleb bring her to this place from the seas? even though she's wanted to walk on land for so long. the storms grants her wish in the end, with a twist that she doesn't expect that is. of course it's difficult to predict the storms despite sensing the currents change.
waking up in a cramp, small pool of fresh water is the last thing she expects.
so this is human writing, zarina thinks to herself as she traces the letters she's unable to read with her finger on new texture that she thinks is rough on her skin. nothing coarse like corals, something entirely new like learning more about caleb. taking hold of the pen, she looks at it first before looking back to him, and then back to the pen. writing requires hard stone or corals for mermaids to engrave their marks against almost anything they can do.
seems like the same requirements are necessary with how caleb has to repeat writing his name.
holding onto the pen unlike a regular person would — as though she were a murderer with a knife in hand — she begins to write the way she normally does below his. at first she digs into the notebook to the point where she tears the pages down along with it. that's not what happened with how caleb writes it as she pulls back her hand only to look at it again.
okay. gently; words she tells herself before she starts over again, this time trying to keep her movement light enough not to destroy the pieces of paper as she writes down — plenty of curves and design — her name. it's slow, the process, but not too long by the time she lets the pen drop on the desk.
on one hand, zarina writes her name just like he asks. on the other, it's completely illegible to the human eye. she makes a hand gesture for caleb to look while wording out her name again. ]
[ the last thing Caleb expects is for her to start gouging at the notepad with the pen. The sound as she tears through the page is loud in the room's stillness, getting a bemused blink from him. He reaches out to take the notepad from her—but at the same moment, she seems to recognize her mistake, starting over without so much force.
He sits back. Maybe he shouldn't be so surprised. Fish don't write, after all, and apparently her tendency to mimic him only goes so far. Bit by bit, everything's adding up to this being her very first time on land. And to him being the first human she's interacted with.
Now there's a laugh. God only knows what sort of impression he's making on her.
At Zarina's gesture for him to come look at her handiwork, Caleb stands and goes to her side, not expecting much beyond aimless scribbling. Yet what's actually written down makes him pause when he glances at it. Because it is writing. Leaning down, he traces the... letters? characters? with the same slow thoughtfulness as she did his name. There's an order to them. But it's not one he understands—although he might've guessed the language was Arabic if he hadn't watched how she wrote from top-to-bottom. ]
Lovely. [ ignoring the pen punctures around it, of course, the delicate flourishes and twists forming her name makes it look almost like calligraphy. ] Can't read it though.
[ straightening, he rubs his chin. Talking and writing are both out. Maybe she knows sign language... but he doesn't. What else can he try?
He picks up the pen again, then reaches over to flip the notepad to a new ( untorn ) page. ]
Here, you hold it like this. [ Caleb places the pen in her hand and carefully adjusts her grip until it's poised between her fingertips, similar to how he held it. ] Easier not to tear the paper this way.
[ he lets go and leans back against the desk, bracing his hands on its surface. ]
[ humans have various stories about mermaids in their world. some where a sea witch helps give legs on the condition of true loves kiss, some whose voices lure men into the sea to meet their ultimate demise. another story, though one not well known in the current world, is how mermaids can see through a person's memories with a single touch.
the truth of the matter with zarina is the last one along with several more secrets that humans have yet to dig up.
it is through their hands touching that she sees everything in a flash. the way the man writes, the way he speaks, the way others speak to him, but not all of his memories. zarina takes a look through his mind not to peek through the kind of person he is — it's tempting, but she only has a moment — but to take what he knows. some of the skills he has. all through a touch that doesn't make it obvious to anyone watching.
if it were erasing memories, however, that would be a completely different experience.
by the time caleb removes his hand off zarina realizes how to spell her name in english, learns various new words that she doesn't know the meaning of, and understands the symbols he writes on the notebook. pen still in hand as she holds it proper like how the man teaches her, but there's no movement on her end.
zarina could write down her name proper now, but instead she looks towards caleb with both brows raised as if to say what's drawing? ]
It's when you... well, draw pictures to tell other people your thoughts and ideas without usin' words. I'll show you.
[ Caleb takes the pen and notepad from Zarina. Turning back to the page with their names, he slants the notepad downward so she can see it more easily. Beneath Caleb, he draws a stick figure with a sketchy ponytail sprouting from its circular head/face with dots for eyes and a horizontal mouth crossed with a short slash for a scar. Then he draws another under Zarina's name. On this one, the "hair" reaches to where the "body" would split into legs—but he draws a triangular fish tail there instead. ]
Here's me and you.
[ obviously, he's no artist—but that's not the point of this, and reminding himself of that keeps embarrassment at bay. To the right of the mermaid Zarina figure, he adds another one that's almost identical, except with legs this time. Between the two he puts an arrow. ]
And there's you now. [ he pauses, then draws a sun above the first Zarina, adding a few lines to indicate rays shining down. ] When you get dry, your tail turns into legs. And that doesn't happen till— [ a line goes underneath the second Zarina. ] —you're on land.
[ he glances at her as he hands back the pen and notepad. ]
[ drawing is writing but different, zarina realizes as she watches caleb illustrate the both of them on the paper. brows raise as she instantly recognizes the first person — it's most certainly him. the scar, the hair tie, the outfit — with an impressed smile revealing itself as she sees herself as well. with her tail! this must be another way for humans to communicate to one another when one lacks a voice.
it's the sketch that also lets zarina understand that caleb knows how she gains legs. it's true, and an easy way for mermaids to get up on land if they wish. it's not common for them to walk with land dwellers, but more of exploring the sore with the sand on their feet — a first time for zarina despite the storm and sea clashing together.
toes curl against the carpeted floor and takes in a whole new sensation while she receives the pen and notepad once again. time to try drawing for herself.
what should she say to him? what does she want to say? nothing first as she decides to practice by creating her own image of caleb, copying his style and seeing if she does it correctly. it's not an exact copy, but similar enough to say she does. what follows is another, this time herself.
once that's done, zarina turns the page for a blank portion where she draws herself this time, once again with her tail. a pause, her hands freezing as the thought of her home comes to mind — the sea and all the mysteries even a mermaid has yet to find out. how the sun glimmers when she's beneath the surface of the moving waters.
that's what she begins to continue the drawing, making small waves that becomes her hair and then several more waves above her to indicate the sea waves. on the side she draws a straight line that caleb calls land. the sun above just like how he draws it.
just like that, right? says the look on zarina's face as she turns to look at him. ]
[ settling against the desk, Caleb looks on as she draws. Copying him again. But soon she moves onto a drawing of her own. A quick learner, that's for sure. If only she could talk. Yet there's something about the quiet—the pen scratching softly on the paper, the rain still pattering on the window—that he finds himself not minding it all that much. Some of the tension from everything that's happened today ebbs, despite his continued uncertainty about current company.
Zarina finishes and turns to him with an expectant look. The drawing's of herself under the waves, with the land and the sun above to the side. Caleb hesitates, then nods. This still doesn't tell him anything new—though it's a start, he supposes. And she seems to like it when he approves of what she does. ]
Did you come here on purpose? [ he pauses, then shakes his head and with a wave of his hand, dismisses the motel room. ] Not—here, you understand. Onto land. Or were you tryin' to go somewhere else in the sea before the storm happened?
[ he'd found her washed up on the beach, after all. Though if she did have another destination in mind, she's taking her sweet time leaving. ]
[ "I want to see the human world." "I want to see what life is like on land." "I want to know what the sea is missing, what humans live for."
three answers she could give caleb easily had she her voice, but even her own hum is muted as she taps the end of the pen against the notepad with her thumb, leaving small blue dots on the blank page. there's barely anything she knows of the upper world and that's the point of her desire to travel.
what does she want to see first? everything.
immediately it hits her as she begins moving her hand, once again mimicking caleb's sketch of her with legs, a straight line beneath her feet with the sun once again shining down on her. zarina extends the land longer than where she stands. zarina even draws the lines and arrows that he creates to indicate the direction of where she wishes to go.
when that finishes, she places the pen down and turns towards the door. different knob compared to the bathroom door when she tries to twist and turn it, but it doesn't. metal shakes as she tries and tries until her thumb presses down on the switch, nearly flinging it open until the scent of rain enters the room.
from there, she looks towards caleb once again as if to indicate that she wishes to go out and explore the world. ]
[ another drawing of herself—with arrows pointing along the "land" under her feet. Not at the sea. So she does want to go somewhere? Or is it everywhere? She can't mean that—
Zarina gets up, cutting off his confusion, and goes to the door. When she starts rattling the handle, Caleb's uneasiness returns in full force—oh, hell—and he springs to his feet. But she pulls open the door before he can get to it—and then just stands there, lit up by the glare of the motel's exterior lights flooding in, looking back at him with not a care about who else might be looking at her.
The door thuds as he slams it shut. The last thing he wants is someone else barging in here asking questions when he has barely any answers himself. His grip tightens on the handle before he lets go and turns to Zarina, exasperation clear in his expression. ]
For cryin' out loud, girl, you can't be doin' that when you ain't even dressed. [ the words come out harsh even to his own ears. Caleb exhales, trying to rein in his frustration. It's not her fault. But it is yet another knot in this already tangled mess of a situation. ] I won't keep you here if you want to go, but you're not goin' to get very far if your plan is to wander 'round without a clue about where you're goin'. [ pause ] Or without clothes. That just ain't how it's done—up here.
[ somehow, saying that—acknowledging aloud she came from another place, a world existing side by side with his—grounds him more than the sight of scales shifting into skin, or her strange behavior. Hadn't he had more than his fair share of upheavals in his life, getting thrown into the unfamiliar every time and expected to sink or swim all on his own? At least here, he can help her find her footing ( not literally, thank god she already knows how to walk ).
Caleb eyes the towel dangling from her hand that she only seems to be holding onto because he gave it to her. ]
I've got some you can wear for now. They're goin' to be big on you since they're mine, but it'll have to do till— [ you, he almost says before the ridiculousness of expecting her to buy clothes on her own catches up to him. ] —I can get somethin' that fits better.
[ the unspoken later implies she'll be sticking around for a while. That he'll be with her. There's a whole new string of problems wrapped up with that—but he can deal with each one as he gets to it. ]
Unless you want to stay like this, or— [ he indicates the bathroom with a nod. ] —go back in the tub?
[ zarina raises a brow as she heards the word "dressed" and "clothes" — words that she absorbs from his memory but lacks the meaning of. what is it supposed to mean when one's dressed in the first place? what being "dressed" means doesn't matter to mermaids or the marine life, but it certainly seems to matter to human beings to acquire such a reaction from caleb.
it's something she has to learn while on land, zarina thinks to herself while looking towards the man as though asking for him to explain what it means. clothes to wear that he'll buy for her... it has the mermaid raise her hands with the sleeves pinned between her palm and fingertips — she still clutches onto the towel — and then back to him.
at the motion of his head back to the bathroom, already she shakes her head quickly as her lips purse together. the small pond he leaves her in is called a tub. quickly she begins to make a curving motion of her hands while bending her upper body forward, and then downward as though running her hands against her own tail while shaking her head again.
the tub causes her nothing but aches after sleeping for several hours; zarina squeezes the back of her shin to point it out as though it would be easier to explain.
maybe she should have drawn it, but it should be obvious that her answer is a clear no, right? ]
[ it's not hard to figure out what she means by her gestures. Caleb chuckles, the sound somewhat rueful. ]
You woke up sore, huh. Yeah, sorry about that. Wasn't sure if you would've been fine outside of water.
[ he remembers his breath hitching as her tail formed in the filling tub. Somehow longer than her legs, it twisted and strained against its narrow confines before spilling out to hang over the edge. A transformation no less startling to see the second time around. In fact, it was there—watching her fins unfurl beneath the the bathroom's dingy light, scales sleek and shiny against the peeling paint of the walls—that the reality of the whole situation sunk in for him. Not a trick or prank. He wasn't just tired and seeing things. No, it's actually a real goddamn mermaid. What was he supposed to do, knowing that?
He'd pushed the question aside then, focusing instead on tending to her injuries ( unnecessary, apparently ) with what he had on hand. On the way back from buying more first-aid supplies, he'd half-hoped to find the tub—and the room—empty. But she'd stayed. And he still doesn't have a good answer now. He sighs. ]
All right, let's get you dressed.
[ Caleb goes to the closet to get one of his bike's saddlebags from the overhead shelf where he stowed them. Resting it on the bed, he opens it up and takes out his change of clothes for tomorrow: a black-and-white flannel, jeans, a pair of boxers and socks. He gathers them into a rough stack and holds it out to Zarina, expecting her to give him the towel in exchange. ]
You, uh—you need me to show you how to put 'em on?
[ it's probably a pointless question, but he might as well try to avoid any more awkwardness. ]
[ there's no giving caleb the towel back as she takes the stack of clothes into her arms, accepting whatever he gives because it means he's trying to help her despite not understanding certain words. after all, caleb saves her from a stormy night when he could have simply left. he makes sure that she's all patched up despite how quickly she heals, makes sure to come back from wherever he came from.
it only adds to the trust zarina has in the man.
looking at the clothes in her arms before looking back towards him, she doesn't give a definitive answer yet as she moves herself and places them on the nearby desk that's cluttered thanks to her. she raises the shirt first as if to get a better look followed by the jeans, the boxers — zarina slips an arm through it — and then one sock in each hand as she raises the pair up. what are these? how is she supposed to wear them? does she wear it on her hand like a glove?
with said sock worn covering her hand, she turning around and facing caleb while nodding; yes, she would like to be shown how to properly put the clothes on. how to dress right. ]
[ he mutters, stifling a smile. She looks ridiculous like this—but to her, he and all the humans she's seen probably do too, bundled up in so many layers that can only get in the way while swimming. He goes over to her, takes the sock off her hand and the boxers from her arm, then gathers up the other clothes from the desk. ]
Not like that. C'mon.
[ putting a hand on the small of her back, he guides her back towards the bed. On it, he lays the clothes out before her, keeping ahold of the boxers. ]
This is—well, it's underwear. Since it's worn underneath [ he taps the jeans. ] pants. This sort of style is for men. The ones for women look more different. [ usually, anyways. But the point of this is to have her dressed, not go over the finer details of fashion. ] You put it on like this—lift your foot—
[ to his surprise, she does without any resistance. Even while taking pains not to touch her more than necessary, it doesn't take long for him to get her into the boxers with her so obliging. He has her sit down on the bed next, kneeling beside her with the socks in hand. ]
And these are socks. You put 'em on before shoes. [ a gesture towards his boots. ] I don't have a spare pair of those for you to wear, but you'll need one if you want to go out. The streets ain't very kind on bare feet.
[ the next several minutes pass like this: Caleb explaining what each piece of clothing is and what it's for, then getting Zarina into it, occasionally directing her to move this way or that. Socks, jeans, then the flannel, after removing his jacket and shifting her hair aside ( another surprise—how is it so soft? she lives in the ocean, doesn't she? ) so it won't get trapped under the collar.
When he's done, she looks... well, still ridiculous. Despite his best efforts at rolling and tucking in and even tying back any extra material, she resembles nothing so much as a rumpled store mannequin. But at least she's decent. Other than the ill-fitting clothes, the most attention-grabbing thing about her now is the trust radiating from her eyes. Like he could say anything and she'd believe it without question. He's got no intentions of tricking her, but if she'd met someone else—
Caleb frowns. Will she be fine out there by herself? He finishes buttoning the shirt up all the way and takes a step back, regarding her. ]
There. I'll go get things more your size in the mornin'.
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Everything's been strange ever since he found her.
It doesn't lessen when the door finally opens with a quiet beep and a louder rattle. He steps into the darkened room. At first, nothing seems out of place; the only difference is the musty odor of the rain falling outside joining that of old cigarette smoke and industrial-strength cleaner inside. Then he flips the light switch. Both drawers of the cheap desk tucked away in a corner hang open. Opposite him, in the small bathroom ( through the door he absolutely remembers shutting ) the tiled floor shines wetly. From there, a large splotch darkens the dust-colored carpet covering the rest of the room, then comes together in a wavering trail of fading footprints.
It ends at the closet.
Caleb narrows his eyes. Awake—but what the hell is she up to?
He moves to set his motorcycle helmet and the half-full plastic bag he's carrying down on the TV dresser. Then he approaches the closet and raps twice on the door. ]
Hey. Come on out of there. [ he pauses, and tries for ( but doesn't completely succeed at ) a gentler tone. ] Not goin' to hurt you, if that's what you're afraid of.
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the man in front of her — a living human being — says he won't hurt her. the way he speaks, the tone of his voice... they speak true despite the roughness; already she recognizes the same strange scent in the air when she wakes up and connects it to him. so, he's the one who brings her here? he's the one who leaves her in a small pool of water?
it's a total of eleven seconds before the closet doors creaks open. a single step forward, the tip of her fingers pushing it open until it reveals a naked woman with long, wavy hair that's still wet from the tub. no words leave her lips, only a look of caution combined with curiosity as she looks towards caleb with her own eyes.
tall. a strange scent. human. zarina has no memory of the man who patches up the wound on her head that no longer exists. ]
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Christ— [ still averting his eyes, he shucks off his jacket—well-worn black leather, rain-splattered and smelling faintly of exhaust—and all but thrusts it at her. Even though it might just barely reach the middle of her thighs, it's better than nothing. ] Put this on.
[ he doesn't wait to see if she does. The moment she takes it, he'll turn and go into the bathroom. Did the noise he made coming in scare her that much she ran into the closet to hide? No, she couldn't have; there wouldn't be water all over the place if she did. And there's the desk she obviously rummaged through. What kind of person, waking up in a strange room, just starts poking around it buck naked?
Well—she's not exactly a person, is she.
In the bathroom, Caleb yanks the lone towel off its rack and walks back out to hand it to the woman, resolutely keeping his gaze on her face. It's then that he notices the gauze and bandages on her forehead are gone. There's no trace of the bleeding gash he stitched closed only an hour ago. No sign she was even hurt at all.
What's he gotten himself into. ]
You should've stayed put. [ he finally says after a moment of silence. A gesture towards the chair by the desk: ] Sit. Ain't a good idea for you to be up and about.
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she understands how to wear it from the way caleb does, but instead of putting it on just yet she brings it closer to her face and sniffs it. eyes close and nose crinkles in a near instant at how different it is compared to the sea. what is that?
clothing isn't a concept for mermaids; eventually, after another few seconds of checking pockets, the metal pieces attached to it, an pulling on the zipper up and down to hear the noise it makes, zarina slips on the leather jacket with her hair pinned between her back and the newly acquired clothing. there's no zipping herself up because she remembers how caleb doesn't zip his up upon seeing him for the first time.
holding onto the towel as her eyes shift between the chair and the man telling her to sit, brows furrow as she stands in her place for a moment. once again, another few seconds before zarina takes her seat. a pause, another look while the towel rests in her hands which reside on her lap, and then another look towards caleb.
"You should've stayed put." and "Ain't a good idea for you to be up and about." — why not? she wonders, but doesn't say. ]
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He sighs. Sits down on the bed facing her, leaning forward with his elbows on his knees. The towel spilling from her lap briefly draws his glance to her legs. Bare, the scrapes and small cuts he cleaned gone without so much as a mark. Just like her head.
Where should he even start? The silence between them drags on for several more moments before he settles for: ]
Can you talk?
[ she seems to understand him just fine. But there's no point in asking more involved questions if she can't answer. Or if she doesn't want to.
Above the hum of the dull florescent light overhead comes the continued tapping of rain against the room's only window. It reminds him of the storm that swept through the town earlier in the evening. Compared to the ones back home that sometimes dragged in tornadoes behind them, it hadn't felt that fierce to Caleb, however hard the wind shrieked and howled at times. What exactly was she doing in the middle of all that to end up knocked out on the beach? And so far from the water? ]
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at his question, zarina gives no response as she tilts her head to the side. of course she can talk and yet her voice refuses to rise from her throat ever since she wakes up — and her own caution silences her at the same time even should she had her voice.
the way the man sits... already zarina moves to hunch her upper body forward enough to rest her elbows on her knees, legs splitting apart enough until she's in the same position as caleb. towel still rests above her thighs as she looks towards his face once again with the same curious look on her own.
does she copy him right? ]
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Closing his eyes, he pinches the bridge of his nose and grumbles something under his breath. It's as much to allow him to take a second and gather his thoughts as it is to avoid staring at the curves of her cleavage—framed by his unzipped jacket—now made all the more noticeable by how she's leaning forward. Then he looks back up, meeting her curious gaze with his own sharp scrutiny. ]
Look, I know that you know what I'm sayin'. We're gettin' nowhere fast so long as you keep actin' like this.
[ even as he says that, he gets the sense he isn't going about this the right way. But coaxing answers out of people isn't one of Caleb's strong suits—or at least, doing it softly. And even then, it's never involved mysterious women spat up by the ocean. ]
Now: can you talk? Just nod or shake your head.
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lips part, but not with the intention of speaking; a wordless "ooh" leaves past them as she raises one of her own hands and hovers over her own lips, s finger tracing across it as she notices: a scar across his lips.
injury and wounds occur with mermaids, but they never stay like they do with the other animals of the sea. are humans permanently damaged after a battle? she wonders briefly.
which means she gives him no answer to his question, instead asking him without words about the story of the scar. ]
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He straightens up a little when she opens her mouth. But instead of speaking, she skims her fingertips over her lips, her gaze not wavering in the slightest. Puzzled, he brings his own hand up—does he have something on his face?—before realizing what she's wondering about. His scar, a pale line arcing up through the left side of his mouth and ending just shy of his eye.
Despite himself, he has to suppress a smile. A scar would seem odd to someone who apparently never has to worry about getting any of her own, wouldn't it. ]
This? Got it in a fight a while back. Man pulled a knife on me without considerin' I might've had one too.
[ "last mistake of his life," he almost finishes, but he doesn't. Nor does he take out the switchblade from his pocket. Frightening her definitely won't get him anywhere.
But he needs to try something else. Caleb thinks for a second, then taps his chest once, trying to soften his tone again. ]
Name's Caleb, by the way. And what can I call you?
[ a long shot, but who knows—maybe she'll actually answer that. ]
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lips purse together tightly for a brief moment as caleb gives his name. finally, a name — no longer does zarina label him as this human who brings her onto land for whatever reason he gives. truthfully, she should thank him for doing so when she had trouble during the last storm. the human — he calls himself caleb — brings her somewhere in the world that should be populated by a school of humans as well.
it's her first few steps in the upper world and already there are a few things they have in common at least. like names — mermaids have names too, but only a single one that they live with for the rest of their life. a name wouldn't be terrible to give to him at least, right? from the tone of his voice, he's being relatively friendly.
c - a - l - e - b, she silently words out with her lips while tapping once against her own chest like he does. it's his name. is the hand gesture a greeting and not simply pointing at himself? it's the reason she does it again, this time with a look of delight while, soundlessly, saying her own name as though she were having a casual conversation with the man.
a twist of her head with her brows raising. does she greet him correctly? ]
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Finally, progress. His own lips move soundlessly, trying to figure out what it is by copying her. He's about to venture his first guess—Serena?—when he pauses instead, wondering. What will she do if he gets her name not just wrong, but obviously so? Will it annoy or disappoint her enough to correct him out loud? ]
So... [ he trails off deliberately, brows knit together in a show of confusion. ] Sarah? Do I have that right?
[ the idea that maybe she really isn't able to talk nudges at him again, along with a faint memory of a... story about a mermaid becoming human at the cost of her voice. Something he heard or read when he was a kid. But he immediately dismisses it. She's clearly not human, legs or no legs. And she's real. Flesh and blood just like him.
For the most part, anyway. It's still too ridiculous to start using a fairy tale as some sort of guide—however much she seems to have stepped ( swam? ) straight out of one. ]
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the look on her face immediately changes from pleasantly happy to shaking her head with an offended look. no, no! her name is not sarah! now that she's voluntarily giving caleb answers therefore he should be getting her name correct, right? though she lacks the sound of her voice, she words his name right.
immediately raising her hands with both index fingers pointing to her own lips — she still holds onto the towel with her other four fingers in one hand because caleb says to use it, and so she is — and begins to elaborate her own name in a slower pace.
"Zah" she words out, "Ree" and "Naa" she says. a pause to give caleb time to understand, and then she repeats. ]
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All right. My mistake. [ and it's not Serena either, but— ] Zarina?
[ it isn't a name he's heard before. He doesn't spend long wondering about that though, because there's still the larger question of how well he can communicate with her if it all has to be done through gestures and lip movements. Or—does it? He tilts his head, another idea coming to him. If talking isn't an option, then...
Caleb gets up from the bed and goes to the desk. After shutting the drawers, he returns and sits back down. In his hands are an unlined notepad with the motel's name stamped on top and a pen, both a little worn like everything else in the room. The notepad's front page is filled with random scrawling and doodles, probably in an attempt by whoever stayed here before him to try and stay entertained. Turning to a new one, he writes Caleb.
Or tries to. The ink's not flowing. With an annoyed sigh, he presses down harder. The pale blue impressions deepen into legible letters in a quick, slightly untidy print. Then he holds the notepad and pen out to Zarina. ]
There's my name. [ he points at it with the top of the pen. ] Can you write yours?
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speaking of — she wonders about doing so for a moment. how did she get here? how did caleb bring her to this place from the seas? even though she's wanted to walk on land for so long. the storms grants her wish in the end, with a twist that she doesn't expect that is. of course it's difficult to predict the storms despite sensing the currents change.
waking up in a cramp, small pool of fresh water is the last thing she expects.
so this is human writing, zarina thinks to herself as she traces the letters she's unable to read with her finger on new texture that she thinks is rough on her skin. nothing coarse like corals, something entirely new like learning more about caleb. taking hold of the pen, she looks at it first before looking back to him, and then back to the pen. writing requires hard stone or corals for mermaids to engrave their marks against almost anything they can do.
seems like the same requirements are necessary with how caleb has to repeat writing his name.
holding onto the pen unlike a regular person would — as though she were a murderer with a knife in hand — she begins to write the way she normally does below his. at first she digs into the notebook to the point where she tears the pages down along with it. that's not what happened with how caleb writes it as she pulls back her hand only to look at it again.
okay. gently; words she tells herself before she starts over again, this time trying to keep her movement light enough not to destroy the pieces of paper as she writes down — plenty of curves and design — her name. it's slow, the process, but not too long by the time she lets the pen drop on the desk.
on one hand, zarina writes her name just like he asks. on the other, it's completely illegible to the human eye. she makes a hand gesture for caleb to look while wording out her name again. ]
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He sits back. Maybe he shouldn't be so surprised. Fish don't write, after all, and apparently her tendency to mimic him only goes so far. Bit by bit, everything's adding up to this being her very first time on land. And to him being the first human she's interacted with.
Now there's a laugh. God only knows what sort of impression he's making on her.
At Zarina's gesture for him to come look at her handiwork, Caleb stands and goes to her side, not expecting much beyond aimless scribbling. Yet what's actually written down makes him pause when he glances at it. Because it is writing. Leaning down, he traces the... letters? characters? with the same slow thoughtfulness as she did his name. There's an order to them. But it's not one he understands—although he might've guessed the language was Arabic if he hadn't watched how she wrote from top-to-bottom. ]
Lovely. [ ignoring the pen punctures around it, of course, the delicate flourishes and twists forming her name makes it look almost like calligraphy. ] Can't read it though.
[ straightening, he rubs his chin. Talking and writing are both out. Maybe she knows sign language... but he doesn't. What else can he try?
He picks up the pen again, then reaches over to flip the notepad to a new ( untorn ) page. ]
Here, you hold it like this. [ Caleb places the pen in her hand and carefully adjusts her grip until it's poised between her fingertips, similar to how he held it. ] Easier not to tear the paper this way.
[ he lets go and leans back against the desk, bracing his hands on its surface. ]
What about drawin'?
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the truth of the matter with zarina is the last one along with several more secrets that humans have yet to dig up.
it is through their hands touching that she sees everything in a flash. the way the man writes, the way he speaks, the way others speak to him, but not all of his memories. zarina takes a look through his mind not to peek through the kind of person he is — it's tempting, but she only has a moment — but to take what he knows. some of the skills he has. all through a touch that doesn't make it obvious to anyone watching.
if it were erasing memories, however, that would be a completely different experience.
by the time caleb removes his hand off zarina realizes how to spell her name in english, learns various new words that she doesn't know the meaning of, and understands the symbols he writes on the notebook. pen still in hand as she holds it proper like how the man teaches her, but there's no movement on her end.
zarina could write down her name proper now, but instead she looks towards caleb with both brows raised as if to say what's drawing? ]
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It's when you... well, draw pictures to tell other people your thoughts and ideas without usin' words. I'll show you.
[ Caleb takes the pen and notepad from Zarina. Turning back to the page with their names, he slants the notepad downward so she can see it more easily. Beneath Caleb, he draws a stick figure with a sketchy ponytail sprouting from its circular head/face with dots for eyes and a horizontal mouth crossed with a short slash for a scar. Then he draws another under Zarina's name. On this one, the "hair" reaches to where the "body" would split into legs—but he draws a triangular fish tail there instead. ]
Here's me and you.
[ obviously, he's no artist—but that's not the point of this, and reminding himself of that keeps embarrassment at bay. To the right of the mermaid Zarina figure, he adds another one that's almost identical, except with legs this time. Between the two he puts an arrow. ]
And there's you now. [ he pauses, then draws a sun above the first Zarina, adding a few lines to indicate rays shining down. ] When you get dry, your tail turns into legs. And that doesn't happen till— [ a line goes underneath the second Zarina. ] —you're on land.
[ he glances at her as he hands back the pen and notepad. ]
That about the way of it?
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it's the sketch that also lets zarina understand that caleb knows how she gains legs. it's true, and an easy way for mermaids to get up on land if they wish. it's not common for them to walk with land dwellers, but more of exploring the sore with the sand on their feet — a first time for zarina despite the storm and sea clashing together.
toes curl against the carpeted floor and takes in a whole new sensation while she receives the pen and notepad once again. time to try drawing for herself.
what should she say to him? what does she want to say? nothing first as she decides to practice by creating her own image of caleb, copying his style and seeing if she does it correctly. it's not an exact copy, but similar enough to say she does. what follows is another, this time herself.
once that's done, zarina turns the page for a blank portion where she draws herself this time, once again with her tail. a pause, her hands freezing as the thought of her home comes to mind — the sea and all the mysteries even a mermaid has yet to find out. how the sun glimmers when she's beneath the surface of the moving waters.
that's what she begins to continue the drawing, making small waves that becomes her hair and then several more waves above her to indicate the sea waves. on the side she draws a straight line that caleb calls land. the sun above just like how he draws it.
just like that, right? says the look on zarina's face as she turns to look at him. ]
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Zarina finishes and turns to him with an expectant look. The drawing's of herself under the waves, with the land and the sun above to the side. Caleb hesitates, then nods. This still doesn't tell him anything new—though it's a start, he supposes. And she seems to like it when he approves of what she does. ]
Did you come here on purpose? [ he pauses, then shakes his head and with a wave of his hand, dismisses the motel room. ] Not—here, you understand. Onto land. Or were you tryin' to go somewhere else in the sea before the storm happened?
[ he'd found her washed up on the beach, after all. Though if she did have another destination in mind, she's taking her sweet time leaving. ]
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"I want to see what life is like on land."
"I want to know what the sea is missing, what humans live for."
three answers she could give caleb easily had she her voice, but even her own hum is muted as she taps the end of the pen against the notepad with her thumb, leaving small blue dots on the blank page. there's barely anything she knows of the upper world and that's the point of her desire to travel.
what does she want to see first? everything.
immediately it hits her as she begins moving her hand, once again mimicking caleb's sketch of her with legs, a straight line beneath her feet with the sun once again shining down on her. zarina extends the land longer than where she stands. zarina even draws the lines and arrows that he creates to indicate the direction of where she wishes to go.
when that finishes, she places the pen down and turns towards the door. different knob compared to the bathroom door when she tries to twist and turn it, but it doesn't. metal shakes as she tries and tries until her thumb presses down on the switch, nearly flinging it open until the scent of rain enters the room.
from there, she looks towards caleb once again as if to indicate that she wishes to go out and explore the world. ]
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Zarina gets up, cutting off his confusion, and goes to the door. When she starts rattling the handle, Caleb's uneasiness returns in full force—oh, hell—and he springs to his feet. But she pulls open the door before he can get to it—and then just stands there, lit up by the glare of the motel's exterior lights flooding in, looking back at him with not a care about who else might be looking at her.
The door thuds as he slams it shut. The last thing he wants is someone else barging in here asking questions when he has barely any answers himself. His grip tightens on the handle before he lets go and turns to Zarina, exasperation clear in his expression. ]
For cryin' out loud, girl, you can't be doin' that when you ain't even dressed. [ the words come out harsh even to his own ears. Caleb exhales, trying to rein in his frustration. It's not her fault. But it is yet another knot in this already tangled mess of a situation. ] I won't keep you here if you want to go, but you're not goin' to get very far if your plan is to wander 'round without a clue about where you're goin'. [ pause ] Or without clothes. That just ain't how it's done—up here.
[ somehow, saying that—acknowledging aloud she came from another place, a world existing side by side with his—grounds him more than the sight of scales shifting into skin, or her strange behavior. Hadn't he had more than his fair share of upheavals in his life, getting thrown into the unfamiliar every time and expected to sink or swim all on his own? At least here, he can help her find her footing ( not literally, thank god she already knows how to walk ).
Caleb eyes the towel dangling from her hand that she only seems to be holding onto because he gave it to her. ]
I've got some you can wear for now. They're goin' to be big on you since they're mine, but it'll have to do till— [ you, he almost says before the ridiculousness of expecting her to buy clothes on her own catches up to him. ] —I can get somethin' that fits better.
[ the unspoken later implies she'll be sticking around for a while. That he'll be with her. There's a whole new string of problems wrapped up with that—but he can deal with each one as he gets to it. ]
Unless you want to stay like this, or— [ he indicates the bathroom with a nod. ] —go back in the tub?
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it's something she has to learn while on land, zarina thinks to herself while looking towards the man as though asking for him to explain what it means. clothes to wear that he'll buy for her... it has the mermaid raise her hands with the sleeves pinned between her palm and fingertips — she still clutches onto the towel — and then back to him.
at the motion of his head back to the bathroom, already she shakes her head quickly as her lips purse together. the small pond he leaves her in is called a tub. quickly she begins to make a curving motion of her hands while bending her upper body forward, and then downward as though running her hands against her own tail while shaking her head again.
the tub causes her nothing but aches after sleeping for several hours; zarina squeezes the back of her shin to point it out as though it would be easier to explain.
maybe she should have drawn it, but it should be obvious that her answer is a clear no, right? ]
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You woke up sore, huh. Yeah, sorry about that. Wasn't sure if you would've been fine outside of water.
[ he remembers his breath hitching as her tail formed in the filling tub. Somehow longer than her legs, it twisted and strained against its narrow confines before spilling out to hang over the edge. A transformation no less startling to see the second time around. In fact, it was there—watching her fins unfurl beneath the the bathroom's dingy light, scales sleek and shiny against the peeling paint of the walls—that the reality of the whole situation sunk in for him. Not a trick or prank. He wasn't just tired and seeing things. No, it's actually a real goddamn mermaid. What was he supposed to do, knowing that?
He'd pushed the question aside then, focusing instead on tending to her injuries ( unnecessary, apparently ) with what he had on hand. On the way back from buying more first-aid supplies, he'd half-hoped to find the tub—and the room—empty. But she'd stayed. And he still doesn't have a good answer now. He sighs. ]
All right, let's get you dressed.
[ Caleb goes to the closet to get one of his bike's saddlebags from the overhead shelf where he stowed them. Resting it on the bed, he opens it up and takes out his change of clothes for tomorrow: a black-and-white flannel, jeans, a pair of boxers and socks. He gathers them into a rough stack and holds it out to Zarina, expecting her to give him the towel in exchange. ]
You, uh—you need me to show you how to put 'em on?
[ it's probably a pointless question, but he might as well try to avoid any more awkwardness. ]
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it only adds to the trust zarina has in the man.
looking at the clothes in her arms before looking back towards him, she doesn't give a definitive answer yet as she moves herself and places them on the nearby desk that's cluttered thanks to her. she raises the shirt first as if to get a better look followed by the jeans, the boxers — zarina slips an arm through it — and then one sock in each hand as she raises the pair up. what are these? how is she supposed to wear them? does she wear it on her hand like a glove?
with said sock worn covering her hand, she turning around and facing caleb while nodding; yes, she would like to be shown how to properly put the clothes on. how to dress right. ]
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[ he mutters, stifling a smile. She looks ridiculous like this—but to her, he and all the humans she's seen probably do too, bundled up in so many layers that can only get in the way while swimming. He goes over to her, takes the sock off her hand and the boxers from her arm, then gathers up the other clothes from the desk. ]
Not like that. C'mon.
[ putting a hand on the small of her back, he guides her back towards the bed. On it, he lays the clothes out before her, keeping ahold of the boxers. ]
This is—well, it's underwear. Since it's worn underneath [ he taps the jeans. ] pants. This sort of style is for men. The ones for women look more different. [ usually, anyways. But the point of this is to have her dressed, not go over the finer details of fashion. ] You put it on like this—lift your foot—
[ to his surprise, she does without any resistance. Even while taking pains not to touch her more than necessary, it doesn't take long for him to get her into the boxers with her so obliging. He has her sit down on the bed next, kneeling beside her with the socks in hand. ]
And these are socks. You put 'em on before shoes. [ a gesture towards his boots. ] I don't have a spare pair of those for you to wear, but you'll need one if you want to go out. The streets ain't very kind on bare feet.
[ the next several minutes pass like this: Caleb explaining what each piece of clothing is and what it's for, then getting Zarina into it, occasionally directing her to move this way or that. Socks, jeans, then the flannel, after removing his jacket and shifting her hair aside ( another surprise—how is it so soft? she lives in the ocean, doesn't she? ) so it won't get trapped under the collar.
When he's done, she looks... well, still ridiculous. Despite his best efforts at rolling and tucking in and even tying back any extra material, she resembles nothing so much as a rumpled store mannequin. But at least she's decent. Other than the ill-fitting clothes, the most attention-grabbing thing about her now is the trust radiating from her eyes. Like he could say anything and she'd believe it without question. He's got no intentions of tricking her, but if she'd met someone else—
Caleb frowns. Will she be fine out there by herself? He finishes buttoning the shirt up all the way and takes a step back, regarding her. ]
There. I'll go get things more your size in the mornin'.
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